Support Provided By
"Odyssey Odyssey" is a performance adapted from a segment in Homer's "The Odyssey," that takes place in a Honda Odyssey driving the freeways of Los Angeles.
The L.A. Dance Project, founded by Benjamin Millepied, take to the recently refurbished stage of the Theatre at the Ace Hotel for three nights beginning Feb. 20.
At the Korean Friendship Bell in San Pedro artist Carmina Escobar led "Massagem Sonora," a performance exploring the personal geography of the body.
Artist and musician Dudley Saunders combines his music with images of the keepsakes of strangers in a performance at the Eagle Rock Center for the Arts on Feb. 8.
Miwa Matreyek's work connects live performance with projected imagery, and in the process celebrates the fundamental magic of cinema.
Asher Hartman's "Glass Bang" is an a experimental musical performance staged in L.A. at an R. M. Schindler-built modernist home on Mulholland Drive in Laurel Canyon.
Elena Bajo's exhibition, "With Entheogenic Intent," investigates the "sculptural anarchive" of suppressed political histories, extending her research to California's geopolitical context.
Clump is an experiment in group/crowd behavior, a participatory performance based on a simple rule set but without fixed outcome or direction.
Danielle Agami has been spreading the gospel of Gaga, a distinctive movement art form out of Tel Aviv, Israel, across Los Angeles.
Artist Cliff Hengst embarked from The Beverly Hilton to perform "It's Not Right But It's OK," perhaps the first ever historic autobiographical semi-fictionalized disembodied drag double decker bus tour.
Chelsea Wolfe brought her atmospheric brand of rock to the KCET studios for a special session exclusively for Artbound and a dedicated group of Wolfe's followers.
Machine Project leads a singalong underneath the spinning "Happy Foot/Sad Foot" sign on Sunset Blvd.