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Amidst “Safer at Home” orders and racism, Drive-By-Art shows art’s power to move, inspire, make us think and bring us together as we work toward a better world.
A glimpse into the creative space of artist Christina Quarels as she discusses how she creates art during the pandemic.
Corey Helford Gallery presents three new virtual exhibits.
One of the most prominent and anonymous voices in CalArts is its student graphic designers. Their experiments — alternately spectacular, unreadable, forgettable and unforgettable — now live in an archive.
Agnes Pelton’s Cat City home is no majestic artist enclave, but unable to drive, she still found her mystic inspirations in her small hometown. Walk in her shoes.
Barbara Kruger unveils her latest additions to her ongoing series, “Untitled (Questions),” as part of Frieze Week Los Angeles. The unmistakable ad-like artworks boldly ask, “Who buys low? Who sells high?” among other questions.
In the course of his five-decade career, Paul Revere Williams, an African American architect born in Los Angeles on February 18, 1894, overcame prejudice and become one of the foremost architects in history.
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Artbound explores the programming of the Museum of Contemporary Art Los Angeles, featuring The Underground Museum, Wolvesmouth, and Public Fiction.
Sharon Ellis' luminous landscapes draw on nearly the whole history of landscape painting. Think American Luminists, Charles Burchfield and his "animated landscapes" and even Light and Space artists James Turrell and Robert Irwin.
"Beside the Edge of the World," a multimedia, interdisciplinary art exhibition at The Huntington Library, Art Museum, and Botanical Gardens explores and unearths ideas of “utopia” through the lens of three artists.
History may have happened yesterday, but a look at these objects from the past shows that it still holds power even today.
In late November, a massive mural, "Rushing Waters," debuted in Pacoima. Coming in at over 10,000 square feet, it's one of the largest in the city.