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D.J. Waldie

D. J. Waldie (2017)

D. J. Waldie is the author of "Holy Land: A Suburban Memoir" and "Where We Are Now: Notes from Los Angeles," among other books about the social history of Southern California. He is a contributing editor for the Los Angeles Times.

D. J. Waldie (2017)
I grew up in a sort of company town where men and women with a mediocre education could get a job at Boeing and make a fit life for themselves and their families.
Turning the Crystal Cathedral into a Catholic church.
Southern California is being refigured by the imaginations of all of its interpreters.
Shelter took on a new meaning under the threat of global thermonuclear war. Decades of uneasy peace have followed. "Shelterists" are sure that it won't last.
Breaking Good
Remaking the Los Angeles landscape balances risks and benefits.
Stone and glass. Anchored and slipping away. Wayfaring and rest, on a Palos Verdes bluff.
September
The click-click-click-click of a sprinkler counts the passages of September on the hottest morning of a summer that should have ended.
Just Stopped
I'm not - to myself - an authentic Angeleño. But my status as a tourist in the country of wheels does allow me to be dispassionate about those who are drivers.
The investigation is widening to include grand jury testimony by several state legislators. More records of contractors have been subpoenaed. Behind the corruption probe are the ties between small time politicians and big city political operatives.
The makers of California's disastrous electrical deregulation scheme were convinced that the market they constructed was infallible. That corrupting belief led them blindly into the hands of market manipulators.
Termed-out state legislators fill city council seats that would have been filled in the past by crusaders, activists, and community organizers. Conflict is muted in a body that has begun to look like an adjunct to Sacramento. And that's not a good thing.
"All the world's a stage" was a cliché well before the glum Jacques, in "As You Like It," trots out his set speech on the Seven Ages of Man. For Shakespeare, however much "stage" and "world" were interchangeable, both were in a place he never entirely...
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