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Film and Media Arts

From moving pictures to an established industry, film and media have the power to capture our most powerful stories. Learn more about how it has evolved and helped tell diverse stories.

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Dead Tree Nests & Thermal Plants - Infrared Exposure - Salton Sea, CA - 2014  | Osceola Refetoff
Our lives are short. When compared to the landscape around us, we are the proverbial mayfly. Given the brevity of our mortality, we swell with pride, or shutter from embarrassment about what we have done to our home.
La Raza first edition Volume 1, No. 0, September 4, 1967 | Courtesy of UCLA Chicano Studies Research Center
The origins of La Raza magazine sound like the beginning of a joke or a story that could go in any direction. However, it’s the beginning of the story of the life of one of the Chicano movement’s most important news publications.
CSRC_LaRaza_B12F9S1_N010 Demonstration spurred by the lack of Latinos in the industry and negative depictions in film |  La Raza photograph collection. Courtesy of UCLA Chicano Studies Research Center
In the 1960s and 70s, a group of intrepid young activists took over 25,000 images for the community newspaper-turned-magazine La Raza. These photos now exist at UCLA's Chicano Studies Research Center. Now we're asking for your help in filling the blanks.
Andersen Get Out | Photos courtesy of The Visible Press
“Slow Writing: Thom Andersen on Cinema” is the very first collection of essays published in Thom Andersen's long career of teaching, programming, and filmmaking. Its pieces span more than half a century.
Vietnamese monks-in-training walk the streets of Koreatown | Don Farber
Don Farber, a Los Angeles-based photographer and practicing Buddhist, has devoted four decades now to documenting Buddhist life throughout Asia and in the West as part of his spiritual practice.
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Hollywood's struggles with diversity long predate #OscarsSoWhite.
Still from POLEN's Nido de Lenguas | Courtesy of POLEN Talking to Action PST LALA
To save what little remains of the Yumano culture, POLEN, the Tijuana-based collaborative art duo created a documentary based on their myths, geographically symbolic locations, dreams and beliefs around death.
Ken Gonzales-Day, “Danny,” mural by Levi Ponce, Van Nuys Blvd. at Telfair Ave., Pacoima, 2013. | © 2017 Ken Gonzales-Day. PST LALA Skirball
Artist Ken Gonzales-Day's exhibition at the Skirball Cultural Center, “Surface Tension,” engages the mural landscape of Los Angeles and the many issues surrounding graphic arts in the public square.
"Nono" and "Asia" | Amanda Lopez and Tanya Melendez Adornment
Duo captures the beauty and dignity of brown and black women through elaborate hairstyles adorned with gold jewelry and beautifully composed photography. 
Nuestra Señora de Las Iguanas, Juchitán, Oaxaca, 1979 (Our Lady of the Iguanas, Juchitán, Oaxaca) by © Graciela Iturbide and Pages of PhotoGRAPHIC | © J. Paul Getty Trust. Text: © Isabel Quintero. Illustrations: © Zeke Peña PST LA/LA
At 75 years old, Graciela Iturbide refuses to slow down. In the coming months two exhibitions in Southern California will feature her iconic work, plus her own biography will take on graphic novel form and published by the Getty.
Harry Gamboa Jr. peering into the camera | Still from KCET video
Photographer Harry Gamboa Jr.'s latest exhibit at the Autry features nearly 100 portraits of Chicanos he believes represent the evolution of the term among Mexican-American men.
Harry Gamboa Jr.'s "Chicano Male Unbonded" photos | Still from KCET video
In his long-running photo series, “Chicano Male Unbonded," photographer Harry Gamboa Jr. meant to counteract all the negative stereotypes that stem from the word "Chicano." Meet a few of his past subjects.
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