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  • Lost LA

Three Views from Manzanar

During World War II, three renowned photographers captured scenes from the Japanese incarceration: outsiders Dorothea Lange and Ansel Adams and incarceree Tōyō Miyatake who boldly smuggled in a camera lens to document life from within the camp.

Despite the trauma of their incarceration during World War II, Japanese Americans built new lives while detained at concentration camps like Manzanar. They played baseball, planted gardens and made the honor roll. Three renowned photographers captured these scenes: outsiders Dorothea Lange and Ansel Adams and incarceree Tōyō Miyatake who boldly smuggled in a camera lens to document life from within the camp. All three trained their lenses on small yet profound moments of dignity and domesticity, documenting resilience in the face of civil injustice. This episode compares and contrasts their approaches and the politics encoded in their work. It also follows the work of Paul Kitagaki, Jr., an award-winning photographer, who is trying to capture the images and voices of those incarcerees decades after that fateful moment in time.

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Toyo Miyatake's photographs provide an intimate window into the world of Japanese Americans in Los Angeles in its darkest times in Manzanar and through its most joyous occasions. Learn about the man behind the lens.
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After Pearl Harbor, nearly 120,000 people of Japanese descent were sent to relocation camps, bereft of their belongings and removed from their communities. These photos are a glimpse of the strength of spirit they found in art during those times.
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Indigenous land dispossession was bolstered by the incarceration of Japanese Americans during World War II — and vice versa.
Nathan Masters and Paul Kitakagi at Manzanar | Still from "Lost LA" S4 E2: Three Views of Manzanar
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Ansel Adams and Dorothea Lange (Clip)
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Toyo Miyatake (Clip)
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