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A photo of avocados hanging off a small tree. The background is black and white while the tree and its leaves and fruit are a green shade.
The history of commercial avocados in California comes from a collection of chance discoveries, Indigenous heritages exploited and improbable survivals that were ultimately hitched to the power of California's industrialized agriculture.
Los Angeles, undated by William Reagh (Getty)
Authors, former students, colleagues and friends reflect on the legacy, impact and generous spirit of the late Mike Davis — a social historian and professor emeritus whose writings and teachings on power and social class in Los Angeles inspired and guided an entire generation of L.A. and urban historians.
A black and white archival image of a cemetery with gravesites sparsely scattered across the ground, marked various sized and shaped crosses. Many of the crosses are encircled with a wooden fence. Beyond, is a mountain and trees.
The deaths of early Angelenos didn't always lead to eternal rest. When the first Catholic, Jewish and Protestant cemeteries in Los Angeles were abandoned by 1910, the displaced dead were scattered to other cemeteries — but not all were found and reburied.
A black ink illustration of the Angels Flight in Los Angeles and a downtown storefront arranged side-by-side.
In November 1935, Los Angeles Times reporter Timothy Turner and staff artist Charles Owens began a year-long ramble through the historic core of downtown. The Times published more than 40 vignettes of the city's aging Victorian mansions, derelict theaters and other survivals of the 19th century.
Loretta Lynn sings into a microphone while standing on stage
Country music superstar Loretta Lynn, whose life story was portrayed in the film 'Coal Miner's Daughter,' died this week at age 90. The legacy she leaves behind includes her hit songs — and the stories she conveyed about women's rights, including the use of birth control.
Loretta Lynn sings into a microphone while standing on stage
Country music superstar Loretta Lynn, whose life story was portrayed in the film 'Coal Miner's Daughter,' died this week at age 90. The legacy she leaves behind includes her hit songs — and the stories she conveyed about women's rights, including the use of birth control.
A black and white archival photo of a top-down view of a billiard hall. Men are gathered around the billiards tables, leaned over to play and casually standing. At the bottom of the photo, in handwriting, is written: "Filipino Recreation Hall, 245 So. Main St., Los Angeles, Vincent Noble-Oripritor.
L.A.'s Little Manila district (around what is now Little Tokyo) bustled in the 1920s and 1930s and was a hub for Filipinos who began migrating in large numbers to Los Angeles in the early 20th century, until it was erased by redevelopment.
An archival photo of Modesta Avila, a young Mexican American woman with her hair pulled back. She is wearing a black long-sleeved collared shirt and is looking directly into the camera. Above her, is the words, "M. Avila. Felony." The numbers, "13793" are written over her chest.
When Modesta Avila placed "a heavy fence post" across a set of railroad tracks with a sign that read, "'This land belongs to me. And if the railroad wants to run here, they will have to pay me $10,000," she cemented herself in California culture as a symbol of resistance against the rich and powerful.
A wide black and white photo of city streets, the main focus of the photo being a multi-story office building with signage across the roof that reads, "Mobiloil" and "Mobilgas."
About 100 years ago, Los Angeles produced about 20% of the world's oil. These downtown buildings are part of the larger story of how the oil industry significantly transformed Los Angeles' built environment.
A black and white archival photo of a Los Angeles street bustling with pedestrians on the sidewalk and crossing at a crosswalk. A street trolley is seen driving downt he street. In the foreground is an ornate lamp post with two apple-shaped lamps.
When Los Angeles first installed incandescent street lamps, or electroliers, it illuminated the streets with a soft glow, with each street light having distinct decorative features that reflected class distinctions.
A black and white photo of young men lined up, side-by-side in front of a table. On the other side of the table, three people — two older men and an older woman — are seated.
Not much can be found in the public landscape that documents the Zoot Suit riots set off by the discovery of the body of José Gallardo Diaź near Sleepy Lagoon.
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