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D.J. Waldie

D. J. Waldie (2017)

D. J. Waldie is the author of "Holy Land: A Suburban Memoir" and "Where We Are Now: Notes from Los Angeles," among other books about the social history of Southern California. He is a contributing editor for the Los Angeles Times.

D. J. Waldie (2017)
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A black and white photo of a steel-framed stage. Three man stand outside of it.
In the early 1900s, Long Beach was on track to becoming the "other Hollywood," led by independent production company Balboa Amusement Producing Company which created over 200 films in their studio at the intersection of Sixth Street and Alamitos Avenue.
A drawing by Edward Vischer depicting cattle-drivers traveling towards the Mission Santa Barbara, May 6, 1865. The mission is visible at the foot of the mountains in the distance, while several cowboys on horseback drive a herd of cattle towards it from the pueblo. Several unsaddled horses, one of which is a foal, graze by a cluster of short trees to the left. The text below the image reads: "View of the Convent Santa Barbara from the Town". Picture file card asserts: "Cattle drove (northward-bound for market) passing the Valley of Santa Barbara" and "In lower left hand Vischer, May 2, 1865."
The Owens Valley aqueduct and water from the Colorado River blunted the impact of 20th century droughts. Cattle and sheep range, emptied by thirst, became 50-by-100 foot house lots for the ten million of us who live in Los Angeles County, wondering today if there will ever be enough water.
Metro bus stop on a Los Angeles cityscape
Essayist D.J. Waldie explores the legacy of the fire element on the landscape of Los Angeles.
 Oil rigs overlaid with images of foliage with a colorful filter.
Essayist D.J. Waldie digs into the story of the land beneath Los Angeles — earthworms, human remains, liquid gold and all.
 A wave-shape sweeps over a cityscape background.
Essayist D.J. Waldie unfurls the complexities of water in Los Angeles, from trickles to torrents.
An illustration of ships, parrots, people on the beach rendered in an impressionistic style.
Essayist D.J. Waldie explores the beguiling and often contradictory qualities of air in Los Angeles.
Roots | Brent/Flickr/Creative Commons License
From the late 1930s through the 1990s, country western music and the hybrid culture from which it came defined much of white working class Los Angeles.
Architect Robert V. Derrah remodeled the Coca-Cola Building, located at 1334 South Central Avenue, into a streamlined ocean liner in 1936 | National Park Service
The benign climate of Los Angeles, the excellent highways, the desire to escape into an alternate reality and the skills of Hollywood designers were material causes of our architecture of fakery, informing how donuts, ice cream and pianos were sold.
Illuminating Sunbeams in Santa Monica, California | Lynne Gilbert for Getty Images
The optimistic essence of the California's golden dream endures — as it should — but the future of the state depends on Californians dreaming differently.
Round House, ca. 1885. While still the Garden of Paradise or soon after, the Old Round House veranda and porch were enclosed with siding, turning it into a 12-sided structure. Photograph courtesy of California Historical Society Collection, USC Libraries
In the 1850s-70s, an elaborately themed garden surrounded the town's most eccentric building, the Round House.
Semi-Tropical California Scenery: Fan-leaf palm (H. T. Payne & Company). Photograph courtesy of California State Library
L.A. once sold its climate as "semi-tropical" – a term that emphasized the uniqueness of its nature. Semi-tropical was semi-miraculous.
old_chinatown_cropped.jpeg
L.A. for a generation was extraordinarily violent, even more violent than frontier towns more famous in Western lore.
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