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D.J. Waldie

D. J. Waldie (2017)

D. J. Waldie is the author of "Holy Land: A Suburban Memoir" and "Where We Are Now: Notes from Los Angeles," among other books about the social history of Southern California. He is a contributing editor for the Los Angeles Times.

D. J. Waldie (2017)
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Westward Migration
In 1884, Lummis walked 3,507 miles to Los Angeles. His suffering, even as part of a publicity stunt, seemed to prove that he had earned his golden California destiny.
Harriman and Socialist Party buttons, 1911
Socialists seemed poised to gain control of L.A.'s city government – until explosive developments disrupted the 1911 citywide election.
Red Flags
In Los Angeles at the turn of the 20th century, the war of Capital and Labor seemed to be turning in favor of Labor, with socialists in the vanguard.
Otis Monument
There's something missing from MacArthur Park's memorial to Harrison Gray Otis, the larger-than-life publisher of the Los Angeles Times.
Lakewood (c.1960s) – Tomorrow's City Today
Can Los Angeles's past be of any value to us except as nostalgia or irony? D.J. Waldie explains why he writes about the confluence of history and private life.
Seen For Syria
"Seen For Syria" reminds me why I write these pieces; so that someone might truly regret the destruction - materially or morally - of the city in which they live.
There was a time, not very long ago, when a fair, dry night in winter would have been watched through with dread of the "great white terror."
Changing Pershing Square
Remaking downtown Los Angeles has taken another long step. As LA history shows, it's one that might end badly.
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Is it possible to achieve Supervisor Yaroslavsky's hope that "our county seal should be a unifying emblem that all Los Angeles residents can call their own"?
The plain photographs on view at the Grand Central Art Center aren't at all lurid or simple. In their quiet way, they move the awful into the everyday.
Orange County's Seal Beach turned 100 in October. It's still a small town in a big county.
In 2013, Los Angeles Times architecture critic Christopher Hawthorne - eyeing the park's oversized orange spheres and the oversized tower - called Pershing Square "a perfectly depressing symbol of L.A.'s neglected public realm."
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