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Erin Aubry Kaplan

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Erin Aubry Kaplan is an author, journalist and essayist who has been writing about black Los Angeles and wider issues since 1992. She teaches creative nonfiction at Antioch University Los Angeles and current events at the OASIS center in the Crenshaw district.

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U.S. President Barack Obama speaks during a campaign rally at the Farm Bureau Live arena, on September 27, 2012 in Virginia Beach, Virginia. | Photo by Mark Wilson/Getty Images
As the election approaches, a group of seniors reminds me that the black struggle to matter in politics is nothing new.
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Mitt Romney insulted a lot of people with the remarks he made about certain Americans. But why don't we talk about who he really meant?
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Putting ethnic communities on the city map is much more than a notion.
Tree stumps remain along Manchester Boulevard where workers have cut down some of the almost 400 trees slated removal to make way for moving the space shuttle Endeavour to its new home at Exposition Park on September 5. | Photo: David McNew/Getty Images
Losing hundreds of trees in Inglewood and South Central to create a temporary path for a space shuttle is the unkindest cut.
Seven years ago, Hurricane Katrina displaced my family in New Orleans -- and my own sense of a home I never lived in
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Our annual block club party was more than just a get-together, it was proof once again that the neighborhood can survive in bad times.
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Losing a long-time business on Market Street in Inglewood feels like losing it all.
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Where were you August 11, 1965? Musician Brian O'Neal remembers, in song and story, the day everything changed.
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Black elected officials are becoming rare in L.A. and California. So how do we retain them without giving the questionable ones a pass?
U.S. Republican presidential candidate Mitt Romney speaks to reporters outside 10 Downing Street after meeting with British Prime Minister David Cameron in central London today. | Photo: CARL COURT/AFP/GettyImages
Anglo-Saxon is the new -- I mean, old -- American.
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Crenshaw is no Sunset Boulevard -- and yet they are connected.
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Narrative nonfiction is certainly personal, but it's also political, historical -- and racial. When I put all those things together in a lecture last month, minor hell broke loose.
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