Holly Willis
Holly Willis teaches in USC's School of Cinematic Arts and writes about new media art. She is the author of "New Digital Cinema: Reinventing the Moving Image" and editor of "The New Ecology of Things" on pervasive computing.
Motion graphics make holiday cards into short movies.
The LA-based multimedia design firm Blind recently created a striking comic book-inspired sequence for a film, demonstrating the company's strength in graphics-based communication.
Scientific phenomena can be beautifully, a fact demonstrated in several videos by the UK artists known as Semiconductor.
Architect and artist Maya Lin turns to video to make a powerful statement about ecological destruction.
A collaborative music video made by the LA-based directing team Logan and visual artists the Date Farmers will screen at the 2010 Sundance Film Festival.
The Flux Screening Series returns to the Hammer Museum with new music videos and animations, including a terrific piece by LA-based artist Allison Shulnick.
REDCAT's spring 2010 film line-up includes an exhilarating list of contemporary avant-garde cinema.
Lewis Klahr's collage animation False Aging is featured on a London-based arts organization's Web site, giving viewers a rare chance to see the artist's work online.
Cindy Keefer from the Center for Visual Music will present a lecture and screening on the expanded and immersive cinema projects of Oskar Fischinger and Jordan Belson...
LA media artist Natalie Bookchin discovers a collective consciousness amidst the thousands of videos on YouTube and her new project, on view at LACMA, centers on self-portraiture as it is reimainged through the online video-sharing site.
Blow X Blow, on view at the SCI-Arc Gallery, imagines the results of a beam of light within a confined space, and turns the results into a sculptural screening room for new media art.
Thom Andersen's wonderful film essay, Los Angeles Plays Itself, about the portrayal of Los Angeles in movies, screens this Sunday night...