Liz Ohanesian
Liz Ohanesian writes about art, pop culture, music and, sometimes, a combination of the three. Her work has appeared in L.A. Weekly, Los Angeles Magazine, Hi-Fructose and a number of other publications. She lives in Los Angeles.
Woodbury University students are building structures that can be used for the "Seed to Skillet" program, where girls learn how to raise produce and turn it into a meal.
Mtendere Mandowa, better known as Teebs, is straddling the world of art and music.
The Flux Screening Series at the Hammer Museum is a celebration of short films, music videos, and the global community that makes them.
Miri Chais Chais' work, a rapid fire evolution of images and symbols, is based in the intersection between the physical world and the digital one.
Visual artist Jaime "Germs" Zacarias takes inspiration from religious iconography, lucha libre, and the city of Los Angeles to create his signature tentacle-filled works.
Victor Castillo is a perfect fit for L.A.'s thriving pop surrealism art scene. His pieces are, at times, as whimsical as they are disturbing.
In her "Virgil" series at Vibiana, Nancy Baker Cahill's shades of graphite gray swirl like a tempest on large, bold canvasses.
Art collective UGLARworks takes an almost anthropological approach to Los Angeles and share their findings with an audience that extends far beyond the county line.
At the gallery Giant Robot 2, "Post It" has become something of an L.A. tradition, an egalitarian exhibition, not just for the artists, but for the patrons.
The multi-venue exhibition "As Far As I Could Get" features the vacant, dilapidated homes of John Divola's photographic work.
Artist Rob Reynolds' show, "Just Add Water: Artworks Inspired by the L.A. Aqueduct," explores L.A.'s complicated relationship with water.