S1 E6: Landscape as Ideology

In December 1942, a Jewish teacher brings art supplies to children held by Nazis. They created art that would give them a momentary escape, if only in their imaginations.

Otto Dix and his generation had borne witness to the horrors of World War I. They'd also been witness to the death of the nineteenth century faith in an inevitable, unstoppable progress.

Catlin was by no means indifferent to the suffering of the people whose faces appear in these paintings. But he didn't produce them in order to take part in some campaign to save the native Americans, ...