Back to Show
            
            
                
                
             
            
        
        
    Pocket Sketching with Kath Macaulay
            Using Color and Contrast
                
                    
                        
                            Season 1
                        
                    
                    
                        
                            Episode 8
                        
                    
                
            
            
            Using a photo of a cottonwood tree Kath sketched plein air unsuccessfully for most of a week, Kath demonstrates what she found in color and contrast to make the sketch have vitality. She emphasizes the conscious change to real observing, versus training as a child to do stereotyped images of trees, clouds and other forms. The real world is not what we have as tapes in our heads.
Support Provided By
                 
    
                        
  
  
    
      
    
  
  
    
      
        
          26:46
        
      
    
  
  
                    
                
            Kath discusses the dark colors that make the light colors work.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            For extreme speed, go with just grey scale or use color for only the focal point.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            The difference is words. The addition of words doubles the meaning. Date the entry.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            When you really want portability, keep everything compact instead of big.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            You are building a composition of things from different places.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            Always start with a daisy: it’s the easiest flower.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            It is never messy and is archival so you don’t remove it.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            In the process you will find out why you picked it and how it was made.
        
        
     
    
                        
  
  
    
      
    
  
  
    
      
        
          27:01
        
      
    
  
  
                    
                
            The sketch will remind you of everything you didn’t sketch right down to the smells.
        
        
     
     
     
     
     
     
     
     
     
     
     
     
     
     
    