Todd Gray’s photosculptures interrogate the long reach of colonization and its intersection with the built environment, the natural world, and other manifestations of historical and contemporary culture. Drawing from his extensive archive of original photographs—taken over the course of five decades—Gray composes syncopated arrangements that speak in equal measure to rapturous beauty and devastating critique. With an incisive eye for detail, Gray builds visual and intellectual connections between African landscapes and Renaissance interiors, pop icons and sculptural monuments, classical order and the digital glitch, reorienting our received notions about how to see the world.