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Holly Willis

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Holly Willis teaches in USC's School of Cinematic Arts and writes about new media art. She is the author of "New Digital Cinema: Reinventing the Moving Image" and editor of "The New Ecology of Things" on pervasive computing.

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William Kentridge, drawing for the film <em>Stereoscope</em>, 1998-99.
Charlie White, William Kentridge, The Armory Center for the Arts in Pasadena, Miwa Matreyek. Animators and visual artists are pushing the boundaries of art this week.
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Landscapes figure in much of the work of LA-based music video director James Frost.
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Catch up on some of the great videos screening around the city this weekend.
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New York-based Iranian filmmaker Shirin Neshat will present her first feature film Friday, April 9 at the Music Hall movie theater in Beverly Hills.
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Artist and filmmaker Renée Green will give a lecture and show three videos as part of the "No More Billboards" series at the MAK Center.
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A new video by the LA-based firm Zoo Films depicts a brilliant vision of digital existence.
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Should corporations control our visual landscape? Anne Bray moderates a discussion on the city's controversial LED billboards.
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The upcoming Flux Screening features a new 'OK Go' music video, created at the Synn Labs in Los Angeles.
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Can kinetic poetry created as art also spark early literacy?
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Screens, a new book on media installation art, offers a terrific analysis of the ways we interact with video and computers screens in museums and galleries.
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Works by LA filmmakers Janie Geiser and Chuck Workman were recently selected by the Library of Congress for preservation, and will screen next Sunday night at Filmforum.
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Henry Jenkins and Denise Mann will bring together a range of filmmakers, designers, storytellers and academics to talk about transmedia storytelling in an all-day symposium titled "Transmedia Hollywood."
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