Holly Willis
Holly Willis teaches in USC's School of Cinematic Arts and writes about new media art. She is the author of "New Digital Cinema: Reinventing the Moving Image" and editor of "The New Ecology of Things" on pervasive computing.
Is the Oscar-nominated short Logorama a critique of celebration of brand ubiquity?
Artists Sharon Lockhart and Stan Douglas will consider duration in contemporary art as video and film become more common in galleries and museum spaces.
Diana Thater's film project at the Santa Monica Museum of Art is a bit like an essay, at once whimsical and rigorous.
Augmented reality is the subject of an online short video that envisions the near future rife with information by Keiichi Matsuda.
Nira Pereg's elegant video Sabbath 2008 captures the weekly ritual that divides a section of Jerusalem according to religion.
In his installation at the Santa Monica Museum of Art, Jeffrey Wells invites us to consider light, vision and optical illusions through a series of subtle projections within a small gallery space.
As a slew of widely popular Hitler parodies has illustrated, in the online world, the line between 'using' and 'stealing' is a fine one indeed.
Science a Moving Image is a fascinating conference and screening series dedicated to the intersection of cinema and science taking place this weekend at Harvey Mudd College in Claremont.
Shirin Neshat's new film balances art and cinema, and will screen in LA in the coming months.
Should electronic billboards dominate LA's visual landscape? Anne Bray tackles that question in a lecture, which is part of a larger investigation and art project hosted by the MAK Center.
The Society of Cinema and Arts, co founded by Bita Shafipour and Arash Kolahi, supports Iranian art and culture in Los Angeles, and beyond.
It's hard to find great music videos all in one place, but 2Pause is a good resource, and features many artists from Los Angeles.