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The best of cinema history is on view this week, with the work of avant-garde icon Maya Deren, the remarkable eight-hour documentary Shoah, and the 24-hour collage film "The Clock" by Christian Marclay.
Asians are not an invisible group that exists outside the mainstream: They are marrying outside their ethnic groups, living outside their communities, and have been weaving their stories into the cultural heritage of this country.
Is pumping water from the Mojave Desert a sustainable idea? A new scientific report says "no."
Southern California's photographic archives richly document the region's troubled relationship with the four classical elements.
REDCAT will screen Daniel Eisenberg's extraordinary visual essay exploring objects, how they're made and what they mean as the nexus between the maker and the consumer.
Jan Perry's embarrassing "auto da fe" illustrates why the city council needs radical change.
The integrity of the political and electoral processes we must have meaningful disclosure, but it should not come at the cost of bona fide security risks.
Something many Americans believe about Southern California is that people here came from somewhere else. In Riverside, every day I see people I've known since kindergarten, and every time I go to a North High game, it's like a family reunion.
What's the legacy of April 1992? Bet you haven't thought about it lately, to say nothing of the last twenty years.
Radical, experimental and avidly political filmmakers are featured on the screens of L.A. theaters this week, from Jon Jost to Rose Lowder, Dziga Vertov to Kurt Kren.
Love is a roll of the dice, whether you have all the control or none.