Incendiary Traces: Drawing the Twentynine Palms Marine Corps Air Ground Combat Center
Conceived by artist Hillary Mushkin, Incendiary Traces is a conceptually driven, community-generated art project that explores the political act of representing the Southern California landscape by creating a series of "draw-in" events in different locations across the region.
Incendiary Traces led a recent draw-in at the 29 Palms Marine Corps Air Ground Combat Center where participants used drawing as a tool for connecting the Southern California landscape to foreign battle zones.
Can picturing landscapes also be a political intervention? Incendiary Traces seeks to use the act of (re)picturing as a tool for connecting to remote sites of conflict; to bring "the there," here.
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
This episode features three Mexican American DJs form Metralleta de Oro, Hiromi Takizawa’s Ultraviolet installation, Jaime "Germs" Zacarias' tentacle-filled works, Public Matters’ Market Makeover and an an in-studio performance by Chelsea Wolfe.
Artbound explores Ted Meyer's "Scarred for Life" art project, photographer Candacy Taylor's focus on salons and diners, Heidi Duckler Dance Theatre's mobile "Duck Truck" and Jeff Speetjens with a variety of marionettes.
