Skip to main content
Back to Show
Artbound

Monomania L.A.: Ernest Marquez and Rancho Boca de Santa Monica

Through a series of short films and articles, Monomania L.A. profiles five L.A. as Subject collectors who have turned a monomaniacal obsession with a particular aspect of Southern California history into a public resource. These collectors have documented disparate subjects -- the California orange, sci-fi reading circles, political graphics, a Mexican rancho, African American photographers -- but their stories share one thing in common: a passion for history that has enriched our understanding of Southern California's past.

In this land of newcomers and transplants, Ernest Marquez can trace his California lineage back further than most. Born in 1924 on land that the Mexican government granted to his great-grandparents in 1839, Marquez has devoted much of his life to documenting a family history that began in 1771, when his great-great-grandfather Francisco Reyes arrived here as a soldier in the Spanish army.

"I went to the library and got history books about Santa Monica and Los Angeles and couldn't find anything about our rancho in them," Marquez told us. "The historians completely ignored our family and our rancho for some reason. If there was some mention of it, there might have been a paragraph or two."

But Marquez wanted more. So he set out on a decades-long quest to piece together his family's history. He sent away to the National Archives for the Land Commission records on Rancho Boca de Santa Monica, the 6,656-acre land grant his great-grandfathers Ysidro Reyes and Francisco Marquez received in 1839. He scoured the region's archival collections for information about his ancestors.

Eventually, he began writing a narrative history of his family. Naturally enough, he wanted to illustrate his history with photos from Southern California's rancho period.

And in the process, a new collection was born.

"I discovered there weren't any [photos from the rancho period], but along the way I found these other images of Los Angeles, Santa Monica, Redondo Beach," Marquez said.

One photo became two; two became two hundred; and ultimately Marquez amassed a trove of 4,600 rare photos of historical Southern California, with an emphasis on the Santa Monica Bay shore.

Support Provided By
Season
Virtual Domains
57:33
In this episode of Artbound, we visit the Zorthian Ranch artist community in Altadena.
ArtboundTheWorks60sin90s_630
56:00
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
mexicali rose
58:00
Artbound visits Kathy Kobayashi who discusses the Shades of L.A. photography archive at the Downtown L.A. Library.
ArtboundFlashbackEarthworks_630.jpg
28:19
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
ArtboundS5E12_630
58:00
Artbound’s fifth season kicks off with an exciting collaboration with MOCAtv, featuring all original pieces including Wildflowering L. A.
Earth Month
100Mules630
58:30
"Artbound" travels with Lauren Bon and the Metabolic Studio as they perform "One Hundred Mules Walking the Los Angeles Aqueduct."
ArtboundMocaTV_630
57:42
Artbound presents an hour-long special featuring short, vibrant videos from MOCAtv.
59:59
In this episode, Artbound investigates arts practices from communities East of Los Angeles.
ArtboundMachineProject_630
58:27
Machine Project recently invited and filmed over 20 artists to create performances that respond to notable architectural sites throughout L.A.
GERMS_pedometer (1)-thumb-630x411-68409
59:35
This episode features three Mexican American DJs form Metralleta de Oro, Hiromi Takizawa’s Ultraviolet installation, Jaime "Germs" Zacarias' tentacle-filled works, Public Matters’ Market Makeover and an an in-studio performance by Chelsea Wolfe.
"Invisible Cities" by The Industry. | Photo: Courtesy of The Industry
57:46
Artbound presents a one hour special focused on the avant-garde opera, "Invisible Cities."
Salon of Beauty and Scar Printing
54:40
Artbound explores Ted Meyer's "Scarred for Life" art project, photographer Candacy Taylor's focus on salons and diners, Heidi Duckler Dance Theatre's mobile "Duck Truck" and Jeff Speetjens with a variety of marionettes.
Active loading indicator