The phrases "public housing" or "low-income housing" do not generally conjure thoughts of architectural innovation. Instead, one may envision rows of faded pastel cubes surrounded by dead lawns and tall fences, or looming concrete towers gridded with small windows. Both schemes are typically weighted with a grim institutional air, appear to have been built as cheaply as possible, and often address only one problem, shelter, amid many others.
But it doesn't have to be that way, as several recent housing developments in Los Angeles prove. Instead, they pose the question: What if low-income housing was perceived as leading the vanguard of innovative, responsive architecture?
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
To commemorate KCET's 50th anniversary, Artbound dives into the vaults to uncover groundbreaking arts programming that aired during the 1980s and 1990s.
This episode features three Mexican American DJs form Metralleta de Oro, Hiromi Takizawa’s Ultraviolet installation, Jaime "Germs" Zacarias' tentacle-filled works, Public Matters’ Market Makeover and an an in-studio performance by Chelsea Wolfe.
Artbound explores Ted Meyer's "Scarred for Life" art project, photographer Candacy Taylor's focus on salons and diners, Heidi Duckler Dance Theatre's mobile "Duck Truck" and Jeff Speetjens with a variety of marionettes.