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Performance

Performance artists create whole worlds. See how performance is able to bring people into a story and bring out society's larger issues.

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Laurie Steelink founded Cornelius Projects as a gallery in the longstanding art community of San Pedro.
Desert playas, considered to be the flattest naturally occurring geographic feature on Earth, offer unique physical facets that continue to inspire the human imagination.
The play opens with the entire cast on stage, including all versions of Ana, Elvira Rios, and Alfredo.
The play "Poemas de la Izquierda Erótica al Teatro" features three actors playing versions of Ana María Rodas, considered the mother of Guatemalan feminist poetry.
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Mike M. Mollett, a part of the Los Angeles art scene for some 40 years, founded L.A. Mudpeople, a troupe that appears on walkabouts in diverse parts of the city.
Leo Cortez as Santa Anna and Erik Stein as Ringmaster Polk in "The San Patricios" | Luis Escobar Reflections Photography Studio
Jose Cruz González's latest play, "The San Patricios," tells the little known story of immigrants from the U.S. who fought on the side of Mexico during the Mexican-American War.
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The California's Arts-in-Corrections program administers platforms for bringing visual, performing, literary, and media arts to state prison inmates.
Guatemala City
Day Labor Theater Without Borders performs plays based on stories from day labor communities.
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The "Los Angeles Department of Weather Modification," a four-day sound art performance series at L.A.'s Grand Park, explores both the scientific and spiritual connections to weather modification.
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Materials & Applications (M&A) will present "C D A G N C E," an improvisational performative experience on an experimental architectural installation on May 24.
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HM157 is a Victorian mansion-turned underground art community in Lincoln Heights, striving to create sustainable live/work space.
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A look at the evolution of the Teatro Campesino (Farmworker's Theater) from Chicano guerilla theater to a formal theatrical experience.
"Sick Building."
Jules Gimbrone believes that sound is the most radical of mediums.
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